In September I was privileged to be hosted on a personal tour of Glenglassaugh by Ronnie Routledge. A fascinating look behind the scenes of this recently reopened distillery on the Moray coast, ending with a delicious sampling of drams from their clearac to a 30+ year old. Glenglassaugh "Revival" is a dram to seek out, from a distillery to watch.
One of the more interesting stories Ronnie told about the early history of the distillery was that of its water. Apparently there was a time when Glenglassaugh was intended to reproduce the flavour profile of the whisky produced at The Glenrothes in Speyside. Although the differences in water chemistry were known ahead of time, the ramifications were not fully realized until the new make coming off the still was found to be quite different as well. After many attempts at doctoring the production water, success was only found by actually transporting it from The Glenrothes itself, some 30 miles distant.
Should there be any question about the level of importance of water in the making of whisky, this anecdote surely goes a long way toward an answer.
Slàinte
Whisky, in all its iterations, is not just an end product, not just a drink...though it is a good one at that. It is a science, an art, alchemy and magic, geography and history, and it is people (um, not like soylent green...). There are many exemplary sites out there on the making and tasting of whisky, and I don't intend on reinventing that wheel. I just want to bring some story to what I think is a fascinating process.
You can see more whisky photographs as well as not-just-whisky photographs and ramblings if you follow the links in the sidebar. Please take a look...or not.
Showing posts with label stills. Show all posts
Showing posts with label stills. Show all posts
February 13, 2013
March 21, 2011
not scotch
In light of the vendetta which the SWA seems to have against the naming of Canadian malt whisky, "Glen Breton Rare" in particular, I thought you might like to see a few photos of our Glenora Distillery on Cape Breton Island in the east coast province of Nova Scotia. Having won the legal battle allowing Glen Breton to keep its name, Glenora subsequently released a 15 year old they call "Battle of the Glen"...shades of delicious Bruichladdich cheek!
The first photo shows the distillery as the white building on the left. Behind it up the hill are the half dozen log chalets maintained by the distillery's Inn operation, where my parents and I stayed when visiting the area. The rest of the photos are self explanatory. Like many good single malts, these pix are almost 10 years old.
Slàinte
The first photo shows the distillery as the white building on the left. Behind it up the hill are the half dozen log chalets maintained by the distillery's Inn operation, where my parents and I stayed when visiting the area. The rest of the photos are self explanatory. Like many good single malts, these pix are almost 10 years old.
Slàinte
May 24, 2010
more heat
I got thinking more about heat after my last post and realized just how prevalent it is in the whisky making process, and that I'd overlooked some of my photographs reflecting the subject which may be of interest to you. So I guess this is part two.
A couple of the photos have an annoying lens shadow at the bottom of the image, for which I apologize. I would normally not hesitate to excise such offences to my aesthetic sensibilities, however I felt that the subject matter would have suffered somewhat if I had cropped them out. So be it...I'll just have to do the suffering with a cringe or two every time I see them.
Forsyth's, in the town of Rothes in Speyside, have been crafting the lions share of Scotch whisky distillery equipment since the end of the nineteenth century. Dad and I were lucky enough to be graciously hosted by Mr. Richard Forsyth on a very interesting tour of the factory. I suspect this is the upper section of a still in the making. After having been heated by another coppersmith with a torch, this chap is beating the red hot metal into shape. The outer shell of a condenser is lying on the floor behind him.
Bowmore is one of the few remaining distilleries to floor malt some of their own barley. While germinating, the barley produces heat which must be regulated by turning over with wide flat shovels and raking, which is being done here. This also prevents the emerging rootlets from tangling into an unmanageable clump. As you can see, this process is quite labour intensive and back breaking so it is also done by machine.
This is a rare sight - too bad I messed it up with a shadow (cringe #1!). The inside of Springbank's wash still with one of the few rummagers in existence. When a still was (is, in this case) directly fired with an open flame from below, as all stills used to be, there needed to be a method of preventing the contents from scorching. This was achieved by the rummager, a strip of copper chain mail which revolved inside the still in order to stir and scrape the bottom, not unlike what needs to be done when you make your porridge on the stove. This still is also heated by steam which travels through the pipes seen around the circumference.
The interior of a Glen Scotia still. The silver pots radiate heat from steam inside the pipes which can be seen just below the liquid surface. They, of course, would be covered when the still is in full tilt boogie mode (one of the lesser known whisky distilling terms!...and an obtuse shoutout to Canadian backup bands everywhere!!).
The charring of the inside surface of whisky barrels is done in a couple of ways. At the Speyside Cooperage where they refabricate zillions of barrels for the Scotch whisky industry, the barrels are stood upright with no ends above a furnace which blasts a huge flame through the barrel like a chimney. Very cool sight. This photograph, however, is from the cooperage at the Balvenie where they do all their own barrel work on site. You're looking at the end of a barrel on its side, through a window I might add, which is being spun round by the two rollers at the bottom of the image. A flame is then blasted into the open end facing away from us, which can be seen shooting out the bung hole. It, too, is a pretty cool sight to see.
This is one of my favourite barrel images, so I'm glad to be able to share it with you to end off this post. It is a triptych of Bruichladdich barrels, with one showing the result of the interior charring (or maybe it's from all of my hot air floating about!).
Slàinte
A couple of the photos have an annoying lens shadow at the bottom of the image, for which I apologize. I would normally not hesitate to excise such offences to my aesthetic sensibilities, however I felt that the subject matter would have suffered somewhat if I had cropped them out. So be it...I'll just have to do the suffering with a cringe or two every time I see them.
Forsyth's, in the town of Rothes in Speyside, have been crafting the lions share of Scotch whisky distillery equipment since the end of the nineteenth century. Dad and I were lucky enough to be graciously hosted by Mr. Richard Forsyth on a very interesting tour of the factory. I suspect this is the upper section of a still in the making. After having been heated by another coppersmith with a torch, this chap is beating the red hot metal into shape. The outer shell of a condenser is lying on the floor behind him.
Bowmore is one of the few remaining distilleries to floor malt some of their own barley. While germinating, the barley produces heat which must be regulated by turning over with wide flat shovels and raking, which is being done here. This also prevents the emerging rootlets from tangling into an unmanageable clump. As you can see, this process is quite labour intensive and back breaking so it is also done by machine.
This is a rare sight - too bad I messed it up with a shadow (cringe #1!). The inside of Springbank's wash still with one of the few rummagers in existence. When a still was (is, in this case) directly fired with an open flame from below, as all stills used to be, there needed to be a method of preventing the contents from scorching. This was achieved by the rummager, a strip of copper chain mail which revolved inside the still in order to stir and scrape the bottom, not unlike what needs to be done when you make your porridge on the stove. This still is also heated by steam which travels through the pipes seen around the circumference.
The interior of a Glen Scotia still. The silver pots radiate heat from steam inside the pipes which can be seen just below the liquid surface. They, of course, would be covered when the still is in full tilt boogie mode (one of the lesser known whisky distilling terms!...and an obtuse shoutout to Canadian backup bands everywhere!!).
The charring of the inside surface of whisky barrels is done in a couple of ways. At the Speyside Cooperage where they refabricate zillions of barrels for the Scotch whisky industry, the barrels are stood upright with no ends above a furnace which blasts a huge flame through the barrel like a chimney. Very cool sight. This photograph, however, is from the cooperage at the Balvenie where they do all their own barrel work on site. You're looking at the end of a barrel on its side, through a window I might add, which is being spun round by the two rollers at the bottom of the image. A flame is then blasted into the open end facing away from us, which can be seen shooting out the bung hole. It, too, is a pretty cool sight to see.
This is one of my favourite barrel images, so I'm glad to be able to share it with you to end off this post. It is a triptych of Bruichladdich barrels, with one showing the result of the interior charring (or maybe it's from all of my hot air floating about!).
Slàinte
Labels:
barrels,
Bowmore,
Bruichladdich,
Forsyth's,
Glen Scotia,
rummager,
Springbank,
stills,
the Balvenie
May 10, 2010
the heat is on
One of the fundamental skills in whisky making is understanding heat, how to apply it and how to move it around. Indeed I suspect one of the biggest costs involved in producing whisky lies in the creation of process heat, so its efficient manipulation is crucial to our getting an affordable dram.
Quite a lot of distillery tour guides will tell you of the happy cows which are fed the draff or spent grains left over from the mashing process. Glenfarclas also incorporates their pot ale or spent wash into the draff for livestock feed, a byproduct which has traditionally been disposed of by most (I'm guessing) distilleries. Bruichladdich is looking into the creation of methane from their pot ale, using it to help power the distillery. I'd like to think that waste heat recapture is high on the list of research into the further improvement of distilling efficiency. We humans are a wasteful lot, and must get to a point where the byproducts of human activity cease to be considered waste but moreso as raw material for some other industrial process or human endeavour. Every natural process is part of a closed cycle, and human industry should be no different...Am I grandstanding again?
The main use of heat in a distillery is, of course, to separate the alcohol from the rest of the liquid within the stills by evaporation. And in order for us to be able to drink it, it must be condensed into a liquid again. This is the job of the aptly named condensers, those big copper columns which are often seen standing beside and connected to the stills. In some distilleries they are situated outside, for lack of space or to keep them cooler (another guess there). The vapour coming off the still is sent through the condenser where it circulates around a series of smaller tubes running the length within it. These tubes hold cold water which takes the heat from the vapour allowing it to condense back into a liquid. This is one of the processes which we are unable to see happen during that tour of our favourite distillery.
However there is another, older technique for condensing the vapour coming off the stills and that is the use of wormtubs. The function is the same but the technology is a little less sophisticated (arguably?). The vapour passes through a tube which "worms" its way in a circular path down through a large "tub" of cold water, usually outside.
At the top are Kilchoman and Bunnahabhain. The third photo shows the wormtubs of Abhainn Dearg, which are inside and sit above the two stills. The last photo shows the outside tubs of Cragganmore. I bet these would make dandy hottubs during a chilly winter. Dram in hand, soaking in the soothing warmth while snowflakes gently caress your face...mmmmmmm.
Slàinte
Quite a lot of distillery tour guides will tell you of the happy cows which are fed the draff or spent grains left over from the mashing process. Glenfarclas also incorporates their pot ale or spent wash into the draff for livestock feed, a byproduct which has traditionally been disposed of by most (I'm guessing) distilleries. Bruichladdich is looking into the creation of methane from their pot ale, using it to help power the distillery. I'd like to think that waste heat recapture is high on the list of research into the further improvement of distilling efficiency. We humans are a wasteful lot, and must get to a point where the byproducts of human activity cease to be considered waste but moreso as raw material for some other industrial process or human endeavour. Every natural process is part of a closed cycle, and human industry should be no different...Am I grandstanding again?
The main use of heat in a distillery is, of course, to separate the alcohol from the rest of the liquid within the stills by evaporation. And in order for us to be able to drink it, it must be condensed into a liquid again. This is the job of the aptly named condensers, those big copper columns which are often seen standing beside and connected to the stills. In some distilleries they are situated outside, for lack of space or to keep them cooler (another guess there). The vapour coming off the still is sent through the condenser where it circulates around a series of smaller tubes running the length within it. These tubes hold cold water which takes the heat from the vapour allowing it to condense back into a liquid. This is one of the processes which we are unable to see happen during that tour of our favourite distillery.
However there is another, older technique for condensing the vapour coming off the stills and that is the use of wormtubs. The function is the same but the technology is a little less sophisticated (arguably?). The vapour passes through a tube which "worms" its way in a circular path down through a large "tub" of cold water, usually outside.
At the top are Kilchoman and Bunnahabhain. The third photo shows the wormtubs of Abhainn Dearg, which are inside and sit above the two stills. The last photo shows the outside tubs of Cragganmore. I bet these would make dandy hottubs during a chilly winter. Dram in hand, soaking in the soothing warmth while snowflakes gently caress your face...mmmmmmm.
Slàinte
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